" Ζωγραφιζω εκεινο που δεν μπορει να φωτογραφηθει και φωτογραφιζω εκεινο που δεν επιθυμω να ζωγραφισω...Δεν με ενδιαφερει να γινομαι κατανοητος ως ζωγραφος, ως δημιουργος αντικειμενων ή ως φωτογραφος".... "Δεν ειμαι φωτογραφος της φυσης αλλα της φαντασιας μου ... θα προτιμουσα να φωτογραφισω μια ιδεα παρα ενα αντικειμενο κι ενα ονειρο παρα μια ιδεα" Man Ray (1890-1976)

" Δεν ενδιαφερει να αποδωσει κανεις το ορατο, αλλα να κανει ορατο οτι δεν ειναι" Paul Klee (1879-1940)

3/05/2011

Jeremy Lynch Ghosts from Cairo / Simulacrum

New Editions 2011
PHOTO EDITION BERLIN.
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Jeremy Lynch Ghosts from Cairo / Simulacrum


Jeremy Lynch, Simulacrum # 01, 40 x 40 cm, C-Print, Ed. 1/5, 2010

In the new photographs by Canadian artist Jeremy Lynch (*1966) we discover something which since the invention of photography has not lost its fascination at all: to make the invisible visible.That visibility depends on the media (technique) introduced by the spiritualists of the 19th Century, their laconic motto probably is as valid today as it was understood back then: "No Medium, no photograph".

The precise form of "Simulacrum" goes back to the atomistic theory of perception of Lucretius.To generate their own visibility by sending out constantly fine layers of its outer envelope into the room, things then leave the appropriate marks on the retina. These flying-around layers or "skin" are the simulacra.

Roland Barthes said that a simulacrum reconstructs his subject through selection and recombination and in this way designs it anew. The result is a "world that is similar to the first, not copying it, but wants to make visible. "



Jeremy Lynch, Simulacrum #2, 40 x 50 cm, Baryth-Print, Ed. 1/5, 2010

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