" Ζωγραφιζω εκεινο που δεν μπορει να φωτογραφηθει και φωτογραφιζω εκεινο που δεν επιθυμω να ζωγραφισω...Δεν με ενδιαφερει να γινομαι κατανοητος ως ζωγραφος, ως δημιουργος αντικειμενων ή ως φωτογραφος".... "Δεν ειμαι φωτογραφος της φυσης αλλα της φαντασιας μου ... θα προτιμουσα να φωτογραφισω μια ιδεα παρα ενα αντικειμενο κι ενα ονειρο παρα μια ιδεα" Man Ray (1890-1976)

" Δεν ενδιαφερει να αποδωσει κανεις το ορατο, αλλα να κανει ορατο οτι δεν ειναι" Paul Klee (1879-1940)

11/20/2011

BRASSAÏ – DUBUFFET

e-Announcement photography-now.com
























BRASSAÏ
Graffiti de la Série IX, Images primitives 1933 - 1956
Gelatin silver print 39,5 x 29 cm | 15 ½ x 11 ½ in
Courtesy Galerie Karsten Greve, Cologne
























JEAN DUBUFFET
Personnage 1944
Indian ink on paper 26 x 21 cm | 10 1/4 x 8 1/4 in
Courtesy Galerie Karsten Greve, Cologne

BRASSAÏ – DUBUFFET
OCTOBER 28 - DECEMBER 10, 2011
The show will be accompanied by a catalogue
Drususgasse 1-5, 50667 Cologne - Germany
+49 (0)221 257 10 12 galerie.greve@t-online.de
www.galerie-karsten-greve.com
The Karsten Greve Gallery is pleased to pay homage to the artists Brassaï and Jean Dubuffet in the context of an exhibition that reveals a reflection on a theme that connects them in a rather astonishing way - "Graffiti". Brassaï and Dubuffet approach the city as though it were a large prehistoric cave, as spectators of a wild and anarchic society stripped of any kind of aestheticism.
Equipped with his camera, Brassaï (1899 - 1984) captured ordinary traces of the inhabitants of Paris' streets beginning in the 1930's, thus discovering a hidden and unsuspected, though omnipresent expression. Dubuffet (1901-1985) incorporated the materiality and the texture of daily life on his canvasses, on paper and in lithography. In his opinion, the materiality does not show differences between human beings and their urban lifestyle. Human creatures are depicted, preferably in front of walls, detached from the space, stuck vertically "like posters, neither more nor less alive than the graffiti they resemble so much, they could be mistaken for it" (Noël Arnaud, 1961).
Two major post war artists are herein being featured: Brassaï, a less known member, though an important one, of the Surrealist movement, and Dubuffet, who was at the origins of Art Brut. The exhibition will be accompanied by a comprehensive catalogue with texts by Brassaϊ himself and Sophie Webel, Fondation Dubuffet, in English, French and German.
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