" Ζωγραφιζω εκεινο που δεν μπορει να φωτογραφηθει και φωτογραφιζω εκεινο που δεν επιθυμω να ζωγραφισω...Δεν με ενδιαφερει να γινομαι κατανοητος ως ζωγραφος, ως δημιουργος αντικειμενων ή ως φωτογραφος".... "Δεν ειμαι φωτογραφος της φυσης αλλα της φαντασιας μου ... θα προτιμουσα να φωτογραφισω μια ιδεα παρα ενα αντικειμενο κι ενα ονειρο παρα μια ιδεα" Man Ray (1890-1976)

" Δεν ενδιαφερει να αποδωσει κανεις το ορατο, αλλα να κανει ορατο οτι δεν ειναι" Paul Klee (1879-1940)

6/22/2011

Geoffrey H. Short | Towards Another (Big Bang) Theory

e-Announcement photography-now.com

© Geoffrey H. Short

Geoffrey H. Short | Towards Another (Big Bang) Theory
28th June - 17th July 2011
{Suite} GalleryΣύνδεσμοςLevel 2, 147 Cuba Street / 108 Oriental Parade, 6011 Wellington +64 49767663
info@suite.co.nz
http://www.suite.co.nz
Opening hours: Wed-Fri 11 am - 5 pm and Sat 11 am - 4 pm

© Geoffrey H. Short

Geoffrey H. Short | Towards Another (Big Bang) Theory

The inherent mystery and ultimate inevitability of death makes it a staple subject of contemplation
in philosophy and in art. Risking death means both terror and excitement, and the eighteenth
century philosophers Edmund Burke and Immanuel Kant suggested that whatever is terrifying
is also sublime.



© Geoffrey H. Short

Geoffrey H. Short's series "towards another (big bang) theory" is an exploration of risk, terror, beauty and the sublime. The fuel explosion is part of the cinematic vocabulary of special effects and as such is a simulation of terror. (Notably, in these days of computer generated imagery, the best way to simulate an explosion is still with an explosion). Hiring film industry special effects technicians to create "big bangs" on the black sands of New Zealand's west coast, Short uses fossil fuel (with all its geo-political associations) mixed with gunpowder (with its own history of war, plots and dangerous entertainment) as an unpredictable, dramatic and multi-layered imaging material. This work is an interrogation of that material, and of the effects of presenting “terrible objects” in an aesthetic realm. The photographs offer both illusion and allusion, the illusion reinforced by the large scale and fine detail of the photographs, and while they document actual, staged explosion events, they allude to every explosion from the original big bang of creation to the anxiously anticipated big bang of a terrorist bomb or nuclear disaster. The near absence of a recognizable physical context emphasizes this referential quality, allowing the viewer to imagine their own context, to supply their own narrative around these isolated climactic moments.

Geoffrey H. Short lives in Auckland, New Zealand. He graduated Bachelor of Fine Arts with first class honours from the University of Auckland in 2010 and was awarded a Senior Prize in Fine Arts. His work is included in the survey exhibition and book "reGeneration² – tomorrow's photographers today" produced by the Musée d l'Elysée, Lausanne, Switzerland and touring internationally.

© Geoffrey H. Short
photography-now.com
Torstr. 218 | 10115 Berlin | Editor: Claudia Stein
contact@photography-now.com | T +49.30.24 34 27 80

Δεν υπάρχουν σχόλια: